A couple of days ago, I found an old videotape from January 1992. It contains a short passage where I practice Askesis, a Guitar Craft piece written by Tony Geballe. Tony was Robert Fripp’s assistant on the first Guitar Craft course in Germany, back in 1987 – a week that changed my life. One of the GC pieces I eventually managed to play, mostly together with my GC friend Leander Reininghaus, was Askesis. I loved it for its relentless angularity.
Too bad the final seconds were cut off for some reason on this old tape!
A little bit later, I participated in two GC courses, held in 1995 and 1996 in Andreis, a small place in the Northern Italy mountains, and led by Askesis composer Tony Geballe. Tony is a wonderful teacher. We learned a lot and had big fun – I remember how we stood in a circle, stepped back and forth in fours, and at the same time, clapped in sevens or even more exotic meters.
Shortly after the Andreis courses, Leander, Markus and me formed Trio Gitarristik, a GC/livelooping oriented guitar/Chapman stick trio that stayed together for a year or two – we had a number of gigs, and played Askesis every time.
Our latest technological household item is a DVD recorder, several years old and bought used from eBay last weekend. It will eventually replace our crappy VHS tape recorder, and one of the wonderful things it can do is digitize VHS tapes and back them up to DVD.
The first tape to digitize that I grabbed this morning happened to be a 35 minute video from 1982 by Albert Falzon, called “Excerpt from The Kumbha Mela – Same As It Ever Was”. Falzon (who got known many years ago for his surf movie “Crystal Voyager” with a Pink Floyd soundtrack) went to India in the early eighties to film various religious festivities, one of them being the famous Kumbha Mela, a Hindu festival and possibly the largest religious festival on Earth. This particular video shows part of his travel towards that place: on a boat across the waterways of Kashmir.
For an inhabitant of cold Europe like me, this magical landscape seems very close to paradise. Falzon’s movie is completely filmed in slow motion, and he often uses a fish-eye lens – and there is of course the soundtrack by Harold Budd and Brian Eno. There are no words and there is no action – there is only a lush jungle landscape slowly drifting by, light reflections on water, people moving in slow motion. This stuff seems to come directly from a dream, from a timeless place. (Somehow it adds to the dreaminess that everything is lo-fi and blurry in an oldfashioned kind of way.)
How strange to enter this state of mind, watching this movie, while knowing that Kashmir has been the center and subject of wars for a long time, and is still far from being peaceful on many levels.
If you like the state of mind induced by Budd’s “The Pearl” or Eno’s “On Land”, you will like this video. Someone has put it on Youtube in the meantime (see below). You can also get it used on VHS tape if you search for it. Apparently it was also rereleased on DVD under the title “Same as it ever was”, together with a movie about the Kumbha Mela festival.