Berlin Livelooping August 2016

I am in Berlin now for a week, on my way to the “Bohemian Polyphony” event – more of this later. Of course I met my old friends Leander Reininghaus and Markus Reuter who both live in Berlin now.

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I had met Leander and Markus on a Guitar Craft course with Robert Fripp in … 1991 I think, anyway, about 25 years ago. We played together as “Trio Gitarristik” for a few years during the mid-1990s, performing various Guitar Craft tunes plus our own compositions, and also ambient soundscapes.

This week, because I came to Berlin, Leander had organized a livelooping concert for us at the Galiläa church, a beautiful abandoned-church-turned-into-performance-space, and we performed together again for the first time in about 20 years.

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Leander framed the evening with a number of beautiful short pieces by Erik Satie (from “Musique d’ameublement” – the first time I ever heard this music) and Philip Glass (“North Star”).

Leander Reininghaus

I used analog vintage gear and my “Frippertronics” setup based on tape delay. Even though my energy had been low during the day, it went up as soon as I was on stage, and I was pretty happy with my 20 minute solo set! As often, I had no idea what I would do until I started with the first note, and I felt carried and led by the music that slowly developed. How this works never ceases to amaze me.

I heard from someone in the audience afterwards that my music sounded autumnal to him, and at the same time, he sensed a dry kind of humour. I liked that. Interesting how the same piece of music can elicit such a wide range of responses in the performer and in everyone in the audience.

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Markus created one of his amazing ethereal soundscapes on Touch Guitar and Ableton Live. I had occasionally seen him on stage over the years but this piece felt especially intimate and personal to me.

Markus Reuter

At the end, we improvised together on the chords of Eno’s “An Ending (Ascent)”. Leander had chosen this beautiful piece (that, incidentally, I had played on my mother’s funeral four years ago) to finish this thoroughly enjoyable “Berlin Livelooping Session”.

Trio Gitarristik after 20 years

Thank you to everyone from the venue who made this evening possible!

 

Flashback: Askesis 1992

A couple of days ago, I found an old videotape from January 1992. It contains a short passage where I practice Askesis, a Guitar Craft piece written by Tony Geballe. Tony was Robert Fripp’s assistant on the first Guitar Craft course in Germany, back in 1987 – a week that changed my life. One of the GC pieces I eventually managed to play, mostly together with my GC friend Leander Reininghaus, was Askesis. I loved it for its relentless angularity.

Too bad the final seconds were cut off for some reason on this old tape!


 
A little bit later, I participated in two GC courses, held in 1995 and 1996 in Andreis, a small place in the Northern Italy mountains, and led by Askesis composer Tony Geballe. Tony is a wonderful teacher. We learned a lot and had big fun – I remember how we stood in a circle, stepped back and forth in fours, and at the same time, clapped in sevens or even more exotic meters.

Shortly after the Andreis courses, Leander, Markus and me formed Trio Gitarristik, a GC/livelooping oriented guitar/Chapman stick trio that stayed together for a year or two – we had a number of gigs, and played Askesis every time.