Cardboard Winter

Binaryminds is a software company that I sometimes work for. For the 2016 winter holiday season, they sent greeting cards to their customers – but not ordinary cards! The packages contained Google Cardboard sets – virtual reality headset kits made out of cardboard. You need to put your smartphone into them to watch 3D scenes.

The 3D scene that the binaryminds customers were pointed to contained season’s greetings – “keep calm and holiday on” – set in a computer generated winter landscape. And there is sound, done by me, a six minute ambient winter soundscape. I am totally in love with the sights and sounds of this.

If you watch this in a browser on your desktop computer, you can move around using your mouse. If you use a tablet or mobile phone (it needs a gyroscope/compass to work), just move around. Of course, the best version is a virtual reality headset. (If you only see two parallel static images, your device doesn’t support the 3D view)

click on the image to launch the VR landscape

Of course the soundtrack was done with a nod to mastermind Brian Eno, inventor of this kind of musical aesthetic. Eno was the one who came up with the term “ambient music” in the 70s, and some of his ambient soundscapes evoked a sense of place, an inner landscape. He often used this music as an acoustic backdrop to his visual art exhibitions. The result was always pure magic.

Contemplating the Planet Venus

stopping the car on top of the hill
midnight, black velvet sky,
and just over the western horizon
the brightly radiating jewel,
just about to follow sun & moon into the night

beyond this world of petty primate concerns,
suchness is easy to spot, purity, an immaculate beauty
that is laser focused, piercing directly through the heart
and so immense that there are no words.
to die for a beauty like that!

this touch left me shattered, unable to sleep
not knowing what to do with this
unexpected kiss of the beloved
that music, that prayer, that vision, of what?
how many multitudes do I contain?

 


Georgina Brett from London is my favorite livelooping singer


Image Credit:
Earthshine and Venus Over Sierra de Guadarrama

Daniel Fernández

Ecstasy Trilogy

Here are three ambient movies that I put online recently, each of them about 30 minutes long: “Mouse Pointer Feedback Ecstasy”, “Arboreal Ecstasy”, “Symmetric Jellyfish Ecstasy”. Wow, 90 minutes of ecstasy?

Ecstasy is not something we usually encounter in our daily lives, and different people have very different ideas about what it is. I just saw that Wikipedia has three different definitions!

The effect of the videos on the observer will vary, but all of them slow down time like the motion of liquid in lava lamps, or like Marian Zazeela’s extremely slow ornamental videos to La Monte Young’s drone music.

For the MTV generation that is used to very fast and hectic cuts, this will be unbearable to watch 🙂

1. Mouse Pointer Feedback Ecstasy


I used a toy microscope and filmed the microscope output on the screen – I pointed the microscope to its own images. This creates a video feedback loop, resulting in all sorts of effects. Because nothing much happens when filming an empty screen, resulting in more of nothing, I chose to film the mouse pointer from very close. Some postprocessing was applied (mainly, slowing down). The music is ambient music that I played on synthesizers and tape delays, back in the mid-eighties.

2. Arboreal Ecstasy


This was the first video designed to use as a backdrop for Georgina Brett‘s set on my livelooping festival from last April. I filmed these trees out of my car while driving through forests in Washington and Northern California (usually, Sabine was driving and I held the camera). Postprocessing: Slowing down and some motion blur, and a mirror effect at the bottom of the video, to take out the street that was visible in the original. The mirror creates a nice effect that looks like a reflection on water.

I chose Georgina’s piece Leanate as soundtrack for this, and I slowed it down considerably using Paulstretch. Then two weeks before the festival it turned out that someone else had also planned to use trees for a backdrop video, so I dropped this, and created something new for Georgina:

3. Symmetrical Jellyfish Ecstasy


I had filmed these amazing creatures in an aquarium in Oregon. Postprocessing included slowing down, changing the colors, and introducing symmetry. The music I chose for this imagery consisted of a loop I had created a while ago (I have forgotten in the meantime how I did it); during the piece, several instances of this loop, running at different speeds, get superimposed.

Georgina’s gorgeous set with the jellyfish video behind her can be watched here.

Crane Sunday



People do strange things. Many people (including my wife) think the things that I do are quite strange too. Last Sunday afternoon, I found myself sitting alone at the waterside in a small harbour in Cologne, recording underwater sounds. Luckily, nobody was around who wondered what I was doing. This activity would probably have looked quite boring from the outside, but whenever I do this kind of thing, I feel like a boy inside – an adventurer, a discoverer, hunting for the unknown – excitement.

The underwater sounds in this place turned out to be not very interesting, but I know that one has to be patient and record for a while just in case. Eventually, all I got were distant boat motors, and yes, there was a shoal of small fish but they didn’t talk (sometimes you find places where fish make all sorts of strange and interesting noises, but you have to be very lucky). Instead, they inspected the hydrophone which resulted in loud bumps on the recording.

While recording this, I found that the reflections of various cranes, towers, and ships in the water looked quite beautiful. I took a number of photos and they looked so nice together that I turned them into this video, very slowly fading one into each other.


 
The video soundtrack should have featured the underwater recording but since this turned out to be disappointing, it fell through. Instead I created several layers of treated sounds from these sources:

  • underwater insects of a nearby lake that I had recorded a week ago
  • a propeller plane that flew above
  • a contact microphone recording from the same day of the nearby Rhine bridge
  • a wonderful pump organ that I had played and recorded in the Stockholm music museum


 
The slowed down bridge sounds creates a beautiful drone of howling traffic and wind vibrated metal, and of course now that I hear it, it reminds me of Eno’s White Cube recordings. It still amazes me how he has influenced my musical thinking and often when I find some interesting new way to paint with sounds … he has already been there.

The pump organ with its wild pitch changes lets me think of Györgi Ligeti’s 1967 organ piece “Harmonies” (not that I would compare myself with this master of course). I found that pump organ in the Stockholm Musikmuseet – here is a short video. I played and recorded just a few minutes and this is the material that is used for the Crane Sunday video – pitched down and equalized a little. Oh how I loved this instrument, it had such a charming breathing sound – and not even keys to play! I would have stolen it but it was too heavy 😉