I first met guitarist Craig Green last May when he played on the Livelooping Festival in Cologne that I had organized. Because he is currently in Europe for two gigs in Portugal, he had asked me if we could play together again, so he stopped in Cologne first before going to southern Europe and we did an Experimental Guitar Evening, again at the LOFT, again joined by my Cologne based friend Michael Frank. Each of us did a solo set and at the end, we played two improvisations together. Judging from what I heard from the audience afterwards, it was quite a successful and enjoyable evening.
Michael Frank played a noise improvisation and two of his older compositions: a Gong influenced psychedelic piece, and a wonderful rather intricate piece full of odd meters that although it has no Guitar Craft roots, it would fit in there quite well.
Craig, who came with his amazing new hi-tech Teuffel guitar, played two jazzy, very virtuoso, almost romantic compositions, and one of his trademark noise explorations. I was amazed at his sound, his precise technique, and his style in general. Very inspiring.
My set was not planned out, I was underprepared as usual but also willing to go for the risk. Actually I had vague plans for the beginning of the set that involved walking around in the room, theatrically whirling around my trusty old Höfner Shorty guitar – it has an integrated speaker that screams with string feedback in an amazing way when cranked up, and whirling it around creates a nice man-made leslie effect. Well this part worked as imagined but when I plugged it into my setup, there was nothing. No sound. I did some small talk and actually rebooted my Vista notebook, hoping the sound would reappear – but it didn’t! The audience was very relaxed and humorous, they even seemed to like that something went wrong, and their support made me relax too. Eventually I discovered that I simply had forgotten to pull up my main fader in my new Bidule setup. Argh !!! (sigh)
Anyway, sound was back, and I dropped my vague plans about continuing my explorations of radical noise. Instead I strongly felt like creating harmony, and so I started by setting up a simple but cinematic soundscape, and only later on went through more experiments, noise, samples, and cut-up rhythms.
Here is my 21 minute solo improvisation:
For those who don’t know but wonder – yes, all sounds were played live on the guitar. It can control samplers via midi, so I can play the guitar but you will hear strings, voices, or strange noises. There is even a part where I play a sample of a bee swarm which I had recorded myself last summer.
For those who know this but still wonder: The Fernandez guitar is equipped with a GK-2A and a sustainer. I played through a GT-5, a DL-4, a BitRMan and a Korg Slicer into the Bidule script on the notebook. Faders and switches in Bidule were controlled using a NanoKontrol. Bidule contained a number of VST instrument plugins (the awesome GForce MTron mellotron, a Kontakt sampler, a Humbox voice player), and VST effects such as the KT granular synthesis, the Quikquak Fusion Field reverb, and the beta version of the LoopV plugin for loops and cut-up stuff. Huge thanks to Matthias Grob and Andy Butler for the LoopV – I only used some of its many features but I can say it was stable and I had big fun using it.
Nobody left during the intermission – a good sign I think! The second half consisted of two extended collective improvisations that went very well. A wonderful evening, thanks to the support by the muse, an interested audience, some friends who helped in a generous way, and the folks from LOFT.